In the pavilion of the Hemixem factories, large panels by Joseph Roelants evoked (in assemblages of tiles on which the lines of the cartoons had been reproduced in thick enamel) a vast equatorial landscape: 'the Congo'; 'the dance' with forms in silver and gold relief on a black background; 'Apollo's chariot', in which the whites were dominant. On the façade, a haughty figure of a woman surrounded by a decoration designed in gold, green, blue, yellow, brown and black tones, represented "the Ceramic". Finally, in the Chapel of the Latin Cross, ten small images by Antonio Card, each one a single tile in size, represented the invocations of the Litany; a larger panel represented the "Annunciation".
© Le Livre d'Or de l'Exposition Universelle de Bruxelles 1935